Twang
1.Twang (2:55)
2.Where Have I Been All My Life (3:07)
3.I Gotta Get To You (3:10)
4.Easy As You Go (3:21)
5.Living For The Night (3:42)
6.Same Kind Of Crazy (3:33)
7.Out Of Sight Out Of Mind (3:07)
8.Arkansas Dave (3:19)
9.The Breath You Take (3:36)
10.He’s Got That Something Special (3:23)
11.Hot Grease And Zydeco (3:17)
12.Beautiful Day For Goodbye (3:09)
13.El Rey (2:25)
1. Twang
Written by Jim Lauderdale, Kendell Marvel and Jimmy Ritchey
When I get off of work on Friday after working like a dog all week
I go to meet the boys for a cold one at a little joint up the street
They got a jukebox in the corner full of old country tunes
Feed it five dollars worth of quarters is the first thing I always do
Chorus:
‘Cause I need a little twang
A little hillbilly bending on some guitar strings
Some peddle steel whining like a whistle of an old freight train
To get that foot stomping honkey tonkin’ feeling going through my veins
I need a little twang, twang, twang
Well, I like a lot of kinds of music
I try to keep an open mind
Depending on the mood to strike me
If I’m gonna stay till closing time
So when I wanna lift my spirits to get me feeling worth a dang
I know I’m gonna have to hear it
‘Cause I gotta have some Hank to hang
Repeat Chorus Two Times
I need a little twang, twang, twang
© 2009 Wudang Mountain Songs, admin. by Bug (SESAC); Marvel Man Music/Bug Music-Songs of Windswept Pacific, admin. by Bug Music-Songs of Windswept Pacific; Vibe Room Music/Jimbalaya Music, admin. by BPJ Administration (BMI). All rights reserved. Used by permission. International copyright secured.
2. Where Have I Been All My Life
Written by Sherrie Austin, Will Nance and Steve Williams
Been down the road to work and back
Been in what I thought was love a few times
But every once in a while I stop and ask
Where have I been all my life
These days broccoli don’t taste so bad
And neither does swallowing my pride
And I’m agreeing more and more with my old man
Where have I been all my life
Chorus:
Some years are clear and some a little blurry
Man how they fly by
Mom and dad sure got old in a hurry
Where have I been all my life
Been learning that forgiveness is as much for myself
As it is for the other guy
And I read the good book these days and believe it
Where have I been all my life
Repeat Chorus
I heard “What A Wonderful World” by Louis Armstrong
It brought a tear to my eye
After all these years I finally get that song
Where have I been all my life
© 2009 Magic Mustang Music Inc.; Lil Geezer Music/Bilangray Music/Smokin’ Grapes Music Publishing, Inc., admin. by Smokin’ Grapes Music Publishing, Inc. (BMI); Songs of Green Hills/Songs of Oak Hill/Pier Three Music, c/o Green Hills Music Group LLC, admin. by Big Loud Bucks (SESAC). All rights reserved. Used by permission. International copyright secured.
3. I Gotta Get To You
Written by Jim Lauderdale, Jimmy Ritchey and Blaine Larsen
Chorus:
I gotta get to you ‘cause you sure been gettin’ to me
Gotta find a way to get to your heart to sweep you off your feet
I’ll wrap you up in my love
Cover you with kisses so sweet
I gotta get to you ‘cause you sure been gettin’ to me
I’ll win you over
Over and over again
I’m getting closer
Closer than I’ve ever been
Repeat Chorus
I’ll keep on trying
Trying and I’ll never give up
I would be lying
If I said, we were close enough
Repeat Chorus
Gotta get to you ‘cause you sure been gettin’
Gotta get to you ‘cause you sure been gettin’ to me
© 2009 Wudang Mountain Songs, admin. by Bug (SESAC); Vibe Room Music/Jimbalaya Music, admin. by BPJ Administration (BMI); FSMGI/Slay The Giant/Blaine Larsen Music, admin. by State One Copyrights America (IMRO/SESAC). All rights reserved. Used by permission. International copyright secured.
4. Easy As You Go
Written by Steve Bogard and Rick Giles
He saw her after school sippin’ on a coke
Acted like a fool, crackin’ crazy jokes
She turned his motor on, man his heart was gone
Fire down below
Easy as you go
Chorus:
Easy as you go, steady as you fly
Keep it in the road, keep an eagle eye
Turn it on a dime, man you never know
Take a little time, whoo, whoo, oo
Easy as you go
Graduation night out behind the stands
In the fading light he became a man
She discovered love better be enough
‘Cause baby’s gonna grow
Easy as you go
Repeat Chorus
Judgmental frowns, teachers looking down
Parents all ashamed passing out the blame
They got a little room, service station view
The rent’s too high, the pay’s too low, whoo
Easy as you go
Ain’t nothing like a daughter or a son
To make a mama old and keep a daddy young
Make a body dream and give a life a theme
Take the highs and lows, whoo
Easy as you go
Easy as you go
© 2009 Sony/ATV Music Publishing LLC/Rancho Papa Music, admin. by Sony/ATV Music Publishing LLC; 1808 Music/Music of Green Hills, c/o Green Hills Music Group, LLC, admin. by Big Loud Bucks (BMI). All rights reserved. Used by permission. International copyright secured.
5. Living For The Night
Written by George Strait, Bubba Strait and Dean Dillon
Everyday’s a lifetime without you
Hard to get through
Since you’ve gone
So I do the only thing I know how to
To get by
I’m living for the night
I’ve drawn all the curtains in this old house
To keep the sun out
And off of my face
Friends stop by to check in ‘cause I checked out
I tell ‘em I’m fine
I’m just living for the night
Chorus:
Daylight can’t hide the tears I cry
The pain that came with your goodbye
The memories that keep me out of sight
Every night I venture out into those neon arms that hold me tight
I’m living for the night
I’m a whole lot easier to talk to
When I’ve had a few
I settle down
The whiskey kills the man you turned me into
And I come alive
I’m living for the night
Repeat Chorus
I’m living for the night
Everyday’s a lifetime without you
© 2009 Day Money Music, admin. by HoriPro Entertainment Group, Inc. (ASCAP); Living For The Night Music, admin. by HoriPro Entertainment Group, Inc.; Sony/ATV Music Publishing LLC/Unwound Music, admin. by Sony/ATV Music Publishing LLC (BMI). All rights reserved. Used by permission. International copyright secured.
6. Same Kind Of Crazy
Written by Delbert McClinton and Gary Nicholson
Did you ever meet somebody
That likes all the same things you do
Somebody who can make you
Or break you anytime they want to
I met her at a red light love at first sight
Can this be true
She’s good for me and she told me
I was good for her too
Now I don’t wanna jump into anything
I’ve been trying to use some self restraint
Man its amazing she’s the same kind of crazy as me
It’s getting hard to use a ladder
‘Cause I keep climbing down just to kiss her
And if she’s out of my sight for a minute or two
I start to miss her
We stay all tangled up in each other’s arms
And it’s so nice
She talks in her sleep but she always gets my name right
If there’s anything at all that’s wrong with her
It’s something I just can’t see
Ain’t no doubt about it
She’s the same kind of crazy as me
Chorus:
Wild, wild nights chasing each other through the moonlight
My, my, my I finally got something right
‘Cause every little off beat move she makes
Just suits me to a tee
Ain’t no doubt about it
She’s the same kind of crazy as me
Repeat Chorus
You know what I’m sayin’
She’s the same kind of crazy as me
Uh, huh
Tear it up boys
© 2002 Nasty Cat Music, admin. by Carol Vincent and Associates, LLC (BMI); Sony/ATV Music Publishing LLC/Gary Nicholson Music LLC, admin. by Sony/ATV Music Publishing LLC (ASCAP). All rights reserved. Used by permission. International copyright secured.
7. Out Of Sight Out Of Mind
Written by George Strait and Bubba Strait
I always heard people say it
But I guess I never fully understood it
I thought that they meant
You’d be easy to forget
But it’s driving me crazy
Chorus:
Outta sight outta mind
You opened my eyes
And now I can see
What you mean to me
I was so blind
Outta sight outta mind
You know it hurt when you left me
But I thought life would go on without you
That was easier said
Can’t get you out of my head
I don’t know if I’ll make it
Repeat Chorus
I was so blind
Outta sight outta mind
© 2009 Day Money Music, admin. by HoriPro Entertainment Group, Inc. (ASCAP); Living For The Night Music, admin. by HoriPro Entertainment Group, Inc. (BMI). All rights reserved. Used by permission. International copyright secured.
8. Arkansas Dave
Written by Bubba Strait
He rode up on a winter day
Steam rising off a streak-faced bay
He said, “You probably know my name.”
If you don’t, it’s Arkansas Dave
He talked of fifteen years ago
And how he got the bay he rode
Said, he killed a man in Ohio
First man he killed, first horse he stole
It was a long road for Arkansas Dave
He shot and left him where he lay
Said, he’d never forget that winter day
He rode off on a streak-faced bay
I stood up and I shook his hand
Told no one that I knew this man
Started thinking up a plan
‘Bout how I’d deal him his last hand
Didn’t take him long to come unwound
He jumped up and gunned two men down
Ran outside to leave the town
But ‘ol bay was nowhere to be found
I hid out with my .44
And when he walked back through the door
I shot till I could shoot no more
And Dave Rudabaugh fell to the floor
It was the end of the road for Arkansas Dave
I shot and left him where he lay
I’ll never forget that winter day
I rode off on the streak-faced bay
No, I’ll never forget that winter day
I rode home on daddy’s streak-faced bay
© 2009 Living For The Night Music, admin. by HoriPro Entertainment Group, Inc. (BMI). All rights reserved. Used by permission. International copyright secured.
9. The Breath You Take
Written by Dean Dillon, Jessie Jo Dillon and Casey Beathard
He looks up from second base
Dad’s up in the stands
He saw the hit, the run, the slide
There ain’t no bigger fan
In the parking lot after the game
He said, “Dad I thought you had a plane to catch?”
He smiled and said, “Yeah, son I did,
Chorus:
But life’s not the breath you take
The breathing in and out
That gets you through the day
Ain’t what it’s all about
You just might miss the point
Trying to win the race
Life’s not the breaths you take
But the moments that take your breath away.”
Fast-forward fifteen years
And a thousand miles away
Boy’s built a life, he’s got a wife
And a baby due today
He hears a voice saying, “I’ve made it son.”
Says, “I told you dad
You didn’t have to come.”
He smiles and says,
“Yeah, I know you did.”
Repeat Chorus
Just like it took my breath when she was born
Just like it took my breath away
When dad took his last that morn’
Repeat Chorus
© 2009 Sony/ATV Music Publishing LLC/Unwound Music, admin. by Sony/ATV Music Publishing LLC; Immokalee Music/Bluebird In My Heart Music, admin. by Immokalee Music; Sony/ATV Music Publishing LLC/Six Ring Circus, admin. by Sony/ATV Music Publishing LLC (BMI). All rights reserved. Used by permission. International copyright secured.
10. He’s Got That Something Special
Written by George Strait, Bubba Strait and Dean Dillon
I used to be the one who
She was always holding onto
Like a fool I told her way too tight
He was glad to see me let go
He’s all I see now in her eyes
He’s got that something special
But that something special used to be mine
Chorus:
She sees
More in him than she ever saw in me
She thinks
He’s got everything she’ll ever need
He’s got that something special
But that something special used to be mine
Never knew how good I had it
Never do till you don’t have it
I’d give anything to have her back
It hurts me to admit that
He’s got what I never knew I had
He’s got that something special
But that something special used to be mine
Repeat Chorus
He’s got that something special
But that something special used to be mine
© 2009 Day Money Music, admin. by HoriPro Entertainment Group, Inc. (ASCAP); Living For The Night Music, admin. by HoriPro Entertainment Group, Inc.; Sony/ATV Music Publishing LLC/Unwound Music, admin by Sony/ATV Music Publishing LLC (BMI). All rights reserved. Used by permission. International copyright secured.
11. Hot Grease And Zydeco
Written by Gordon Bradberry and Tony Ramey
I hear the music, Big Daddy’s place
Smell that gumbo coming through that old screen door
Fans are blowing, flies are buzzing
People jitterbugging on that hardwood floor
Work my fingers down to the bone
Make the money and spend it on
Chorus:
Hot grease and zydeco
Feed my belly, feed my hungry soul
It’s Friday night, let the good times roll
Hot grease and zydeco
My baby’s loving, it’s deep fried
Golden brown legs and then long black hair
We start cooking when we kiss
No time at all, Lord she takes me there
Down on the Bayou they’re stirring it up
Tastes so good I can’t get enough
Repeat Chorus Twice
Feed my belly, feed my hungry soul
Turn it up, burn it up, say sure
Hot grease, hot grease and zydeco
Hot grease and zydeco
© 2009 O-Tex Music (BMI). All rights reserved. Used by permission. International copyright secured.
12. Beautiful Day For Goodbye
Written by Doug Johnson and Pat Bunch
Isn’t it like her to look so pretty
Like everything is all right
Like nobody cried all last night
Look at the sun, oh how it’s shinin’
Almost a picture perfect day
Like nobody’s going away
Chorus:
If it were just a little colder
She might need me to hold her
But wouldn’t you know it the weather is perfect
There’s not a cloud in the sky
It ain’t rainin’ or snowin’, there’s no cold wind blowin’
It’s a beautiful day for goodbye
Isn’t it like me to wait ‘til she’s leaving
To know how I feel
I love her and I always will
In a second or a moment, forever can change
So I’m standing here praying for rain
Repeat Chorus
Wouldn’t you know it the weather is perfect
There’s not a cloud in the sky
It’s a beautiful day for goodbye
© 2009 Mike Curb Music/Sweet Radical Music, admin. by Mike Curb Music; Pat Price Music (BMI). All rights reserved. Used by permission. International copyright secured.
13. El Rey
Written by Jose Alfredo Jimenez
Yo se bien que estoy afuera
Pero el dia que yo me muera
Se que tendras que llorar
Llorar y lloyar, lloyar y lloyar
Diras que no me quisiste
Pero vas a estar muy triste
Y asi te vas a quedar
Coro:
Con dinero y sin dinero
Hago siempre lo quiero
Y mi palabra es la ley
No tengo trono ni reina
Ni madie que me comprenda
Pero sigo siendo el rey
Una piedra en el camino
Me enseno que mi destino
Era rodar y rodar
Rodar y rodar, rodar y rodar
Despues me dijo un arriero
Que no hay que llegar primero
Pero hay que saber le llegar
Repeticion Coro
Translation:
The King
I know well that I'm out
But the day I will die
I know you are going to cry
(To cry and to cry, to cry and to cry)
I will say you didn't love me
But you are going to be so sad
And that's the way you are going to remain
Chorus:
With or without money
I do whatever I want
And my word is law
I don't have throne or queen
or anybody understanding me
But I'm still the king
A simple stone on the road
Taught me that my fate
was to roll and to roll
(To roll and to roll, to roll and to roll)
Also a cowboy told me
You don't have to arrive first
but to know how to arrive
Chorus...
but I'm still the King.
© (r) 1971 BMG Music Publ. Mexico, S.A. De C.V (SACM), admin. by Universal Music-Careers (BMI). All rights reserved. Used by permission. International copyright secured.
Produced by Tony Brown for TBE and George Strait for George Strait Productions
Recorded by Chuck Ainlay at Shrimpboat Sound Studio (Key West, FL) Assistant Engineer: Jim Cooley
Mixed by Chuck Ainlay at Backstage at Sound Stage (Nashville, TN)
Additional Assistant Engineers: Todd Tidwell and Joe Martino and Jim Cooley
Strings Recorded by Kyle Lehning at Starstruck Studios (Nashville, TN) Assistant Engineers: Casey Wood and Todd Tidwell and at Oceanway Studio (Nashville, TN) Assistant Engineers: Casey Wood and Rob Clark
Production Coordinator: Erin McAnally
Mastered by Bob Ludwig at Gateway Mastering Studios (Portland, ME)
Musicians:
•Eddie Bayers – Drums
•Glenn Worf – Bass and Upright Bass
•John Jarvis – Piano, Wurlitzer and B-3
•Steve Nathan – Synthesizer, Piano, Wurlitzer and B-3
•Randy Scruggs – Acoustic Guitar
•Steve Gibson – Acoustic, Electric and Gut String Guitars
•Brent Mason – Electric and Gut String Guitars
•Paul Franklin – Steel Guitar
•Stuart Duncan – Fiddle and Mandolin
•Eric Darken – Percussion
•Mike Haynes – Trumpet
•Background Vocals – Tom Flora and Marty Slayton
•Background Vocals on “El Rey” – Eddie Perez, Chris Rodriguez and George Strait
•Strings – The Nashville String Machine
Management: Erv Woolsey, The Erv Woolsey Co., 1000 18th Avenue S., Nashville TN, 37212
Booking: Danny O’Brian, The Erv Woolsey Co., 1000 18th Avenue S., Nashville TN, 37212
George Strait Fan Club: P.O. Box 2119, Hendersonville, TN 37075, (615) 824-7176, www.georgestrait.com
www.umgnashville.com
» Billboard CD reviews: George Strait
Reuters July 25, 2009, 8:27 am
ARTIST: GEORGE STRAIT
ALBUM: TWANG (MCA Nashville)
NEW YORK (Billboard) - George Strait put out his first album, "Strait Country," in 1981. After 28 years, you'd think it would be tough coming up with new twists to captivate audiences. But apparently not for King George, whose latest album, "Twang," is among the finest collections of songs he's released. Recorded at Jimmy Buffett's Shrimp Boat Studios in Key West, Fla., the new set has a few surprises, including a track recorded entirely in Spanish. Vicente Fernandez's mariachi hit "El Rey" includes horns, which is a first on a Strait record for co-producer Tony Brown, who has worked with the country artist since 1992. Other rare moments on "Twang" include three songs co-written by Strait, who hasn't released a song he's penned since his debut. The first single, "Living for the Night," was co-written by Strait; his son, Bubba; and longtime contributor Dean Dillon. Strait and his son also collaborated on "Out of Sight Out of Mind." The song "Arkansas Dave" -- written solely by Bubba -- has a "Tennessee Flat Top Box" groove that would make Johnny Cash proud.
NASHVILLE SKYLINE: George Strait’s Still Got the Twang.
His 38th Studio Album Shows the Troubadour in Fine Form. There is no musical border between Texas and Mexico. And George Strait graphically proves this on his new CD, Twang, with his expressive version of a well-known song written by a Mexican musical icon. And he sings it in Spanish. As he should, to present the song in its true form. “El Rey” (the king) was written by the Mexican singer and songwriter Jose Alfredo Jimenez, who is widely regarded as one of Mexico’s pre-eminent songwriters. Jimenez’s “El Rey” is a boasting song about a strutting macho man whose word is law and who regards himself as the king. And Strait gets a bit of a vocal workout within the parameters of “El Rey,” but he gets there and sounds very natural.
Strait also visits the Texas rowdy R&B roadhouse tradition -- as opposed to the down-and-dirty honky-tonk country roadhouse -- with Delbert McClinton’s “Some Kind of Crazy” (co-written with McClinton’s longtime collaborator Gary Nicholson). You can hear the urgent feel of Delbert’s get-loose-and-goosey phrasing in Strait’s singing here. George is letting his hair down a bit. Good for him. As a further reminder that he’s not always the crisp and starched buttoned-down singer, Strait kicks it a bit looser yet with “Hot Grease and Zydeco.”
Throughout his decades of pre-eminence in country music, Strait has proved to be the canniest song picker around. He’s always been the man with the best song ears around. Especially because he didn’t write songs.
Now he does. Or rather, he co-writes three cuts here, with his son Bubba and with familiar song partner Dean Dillon. And he does well. George’s son, Bubba, himself is coming into his own as a writer. I especially like his “Arkansas Dave,” which he wrote by himself. It’s a rousing, old-timey, fiddle and guitar saga about killings and horse theft and all the juicy things that country songs used to be about. And it’s even got a shaggy dog ending, the way many of those songs used to end. And George clearly has fun singing it.
There is that same sort of energized spirit about George Strait throughout Twang, which I really love hearing from him at this stage in his career. After 38 studio albums, most artists would begin to sound burnt-out. But Strait is obviously still enjoying what he’s doing and is ready for more.
At age 57, as the standard-bearer of country music, Strait seems to be feeling adventuresome. He probably has boots and saddles that are older than Taylor Swift. But that doesn’t mean he’s stuck in a time warp, as some artists do -- far too often. Twang feels in many ways to be one of his most satisfying ventures yet. May many more follow.
I wouldn’t go so far as to suggest that George Strait may be the Uncle Walter Cronkite of country music. But he is a reassuring presence for the music and is its beacon of stability.
From CMT
What If Twang Is George Strait's Legacy?
Posted: August 11th, 2009 at 5:21 pm | By: Alison Bonaguro
George Strait's latest album, Twang, came out today (Aug. 11). I mean, who didn't know that, right? But there's also this rare interview with him circulating the Internet, and it's just about as good as the album itself.
In it, he says, "I have no idea what my legacy will be. I'll just have to let somebody else decide that." Well, I've decided. What George Strait should leave behind is just twang. Not just the album, but the very sound that represents the kind of country music he's been making for three decades. Because like he says, "If twang is not what I do, then I don't know what is."
This album has all kinds of music, according to Strait. Zydeco, mariachi, up-tempo. And I have to agree there's some kind of song for everyone on here. He sounds like himself on slow-groove ballad tunes like "The Breath You Take," "Where Have I Been All My Life" and "Living for the Night." Vocally and instrumentally. But here's some sass here, too, like on the title track and on "Hot Grease and Zydeco," which could easily become a club mix song if he allowed it. Which I doubt he would, but still.
He recorded the album down in Key West, Fla., and thinks maybe the ocean air is good for his voice. That could be. Or maybe his voice was just born to twang like this to give us that feeling that a little hillbilly's bending on some guitar strings, some pedal steel's whining like a whistle of an old freight train and that foot stomping honky-tonkin' feeling's going through my veins. That's a legacy George Strait would be happy to leave behind.
NEWSOK
The Oklahoman
CD Review: George Strait "Twang”
August 14, 2009
George Strait "Twang” (MCA Records)
George Strait would be forgiven if he showed up at the studio, sang 10 traditional country songs and turned in a finished, if uninspired, album to RCA Records. But on Strait’s new album "Twang,” the Texas legend takes chances that pay huge dividends.
The biggest? Singing in Spanish! Strait summons his inner-gringo on "El Rey,” the album’s capper sung entirely in a foreign tongue.
Strait then pulls influences from several genres that include Cajun music, bluesy rock and folk. And all the chances and risks are done with Strait’s timeless grace and impeccable taste.
Usually an artist who relies on the pen of other writers, Strait co-wrote two tracks ("Out of Sight Out of Mind” and "He’s Got That Something Special”) with his son, Bubba.
King George still has the vocal clout to deliver rip-roaring tunes such as the title track and thoughtful reflections in "Where Have I Been All My Life.” The three-chord country tunes are there. But a talented vocalist such as Strait can interpret other genres, rein in those influences and turn regular songs into evolved country music. Strait won a Grammy for 2008’s "Troubadour.” But instead of sticking with that winning formula, the 57-year-old pushed his artistic limits and made one of the best records of his career.
— Ben Scott
George Strait's 'Twang' shows off country Troubadour's budding writing chops
by Chuck Yarborough/Plain Dealer Reporter
Cleveland, Thursday August 13, 2009, 3:38 PM
You have to wonder: Does George Strait ever get tired of debuting albums at No. 1?
In a career that began with the 1981 release of "Strait Country," George and his Ace in the Hole Band have teamed up for 26 studio albums, including "Twang," which hit stores on Tuesday, Aug. 11.
Three times in his celebrated career, a Strait album has debuted at No. 1 on the Billboard's Top 200 charts, and 12 times, an album has entered the world at No. 1 on the country album charts. Of more than 400 songs that have spent time beautifying the radio airwaves, a record-shattering (no pun intended) 57 have spent time in the top slot. Expect that same kind of performance from "Twang."
All of that speaks volumes for country music fans. Strait has a classic country voice, as pure as Jim Reeves, as emotive as Hank Williams Sr. and as honest as Bob Wills. Strait doesn't need concert histrionics to connect with his fans. The closest he's ever come to scandal might be accidentally leaving his shirt untucked. There are some singers out there now who couldn't exist without the voice-manipulation software Pro Tools; George Strait's only pro tools are his vocal cords and his ability to interpret a song.
Interpret, not write. With the exception of "I Can't See Texas from Here," off that debut album, Strait hasn't written a single tune.
Until now. And dang it, turns out the guy can write, too! He's the co-author, with his son Bubba Strait and Dean Dillon, of "Living for the Night," which just happens to be the first single off "Twang." It's "only" at No. 7 on the charts, a hit for anybody else, but a clunker by Strait standards.
Now honestly, you do have to wonder how much influence Dillon had in the writing. After all, he's the pen behind George Jones' "Tennessee Whiskey" and such Strait classics as "Oceanfront Property," "The Chair," "I've Come to Expect It of You" and "Nobody in His Right Mind Would Have Left Her."
But we can discount that because of another tune off "Twang" called "Arkansas Dave." It's a true Western ballad you could picture Marty Robbins or Johnny Cash singing. It's the story-with-a-twist of the outlaw who gets what's a-comin' to him in the end. The song was written by Bubba Strait, all by his lonesome, and it's a flat-out winner.
George and Bubba also collaborated on "Out of Sight, Out of Mind," and teamed with Dillon again for "He's Got That Something Special," which I predict will be No. 1 No. 58.
But the Strait boys' tunes aren't the only good ones. "Hot Grease and Zydeco" really is such a great lesson in laissez le bons temps rouler that you can almost smell the gumbo and jambalaya. The biggest surprise, though, is "El Rey," a mariachi ballad tune by Jose Alfredo Jimenez that Strait sings in perfectly accented, tongue-rolling Spanish.
Bueno. Es muy bueno.
Strait headed for big chart debuts
Fri Aug 14, 2009 11:07pm EDT
By Keith Caulfield
LOS ANGELES (Billboard) - The King of Country is poised to dethrone the King of Pop, as George Strait's new release, "Twang," is expected to be the top-selling album in the U.S. during the week ending Sunday (August 16).
Industry prognosticators think "Twang" will sell at least 140,000 copies in its first week. That would place the set atop both the Top Comprehensive Albums and the Billboard 200 charts. Michael Jackson's "Number Ones" has been No. 1 on the former tally for six of the past seven weeks. In the most recent tracking week, "Number Ones" sold 98,000, according to Nielsen SoundScan.
"Twang" will give Strait his fifth No. 1 album, after 1997's "Carrying Your Love With Me," 2004's "50 Number Ones," 2005's "Somewhere Down in Texas" and 2008's "Troubadour."
» Two-time bull riding champion Justin McBride will perform at the Grand Ole Opry tonight and he says it’s kind of scary.
On the Opry, McBride plans to sing the title track from his album and then do “Cadillac Cowboy,” a song popularized by another singing cowboy, the late Chris LeDoux.
“Part of the reason I did the record is that with the passing of Chris LeDoux, I don’t feel there’s much of a representation of cowboys in country music,” McBride said. “King George (Strait) is there, but after him there’s not much. I always used to say that I wasn’t a bull rider, I was a cowboy who rode bulls. Now, I want to be a cowboy that’s out playing country music.”
GEORGE STRAIT IS EL REY
and enough of Summer Already..
By Jimmy Carter in his homebase Nashville
It's August ... How does any performer get out on some stage with heat over 100 and have a good time? George Strait was on stage with a heat index in Houston way over 100 Saturday evening. Let me clear that up, inside it was a cool 70 with little humidity. George never broke a sweat.
Reliant Stadium was a joyful place for that George Strait show. $30 bucks to park seemed a bit high ( YOU THINK??????? ), but George's music live make you even forget about those bandits in the parking lot.
The "El Rey" song ... George did it about like the original. Wonder what the real Spanish singer of the song thinks? Get those two together ... That would be fun for Univision.
They taped the Strait show in Houston for something ... TBA.
Hey check the sales ... George 150,000 first week beats Michael Jackson. He is still the King.
From the RIAA:
Strait's 38 hit albums (13 multi platinum, 32 platinum and 35 gold) rank him behind only Elvis Presley and The Beatles. The RIAA has certified his albums at 68× platinum, denoting shipments of 58.5 million in the United States. His best-selling album is Pure Country (1992), which sold 6 million (6× Multi-platinum) . His highest certified album is Strait Out of the Box (1995), which sold 2 million copies (8× Multi-Platinum due to being a box set with four CDs). According to the RIAA, Strait is the tenth best-selling recording artist in the United States overall.
When you add international sales, Strait has sold more than 73 million recordings. His overall certification numbers are third of all musicians, behind Elvis Presley and The Beatles.
The Celebrity Cafe.com
George Strait - Twang
- After 28 years in the national music business, more than 67 million albums sold and 57 No. 1 singles (more than any other artist in any other genre), George Strait hasn’t showed a single sign of slowing down or becoming any less than he’s been for almost three decades, and his latest album, “Twang,” more than proves it.
Time has only been good to the “King of Country.” At 57, his baritone vocals are stronger, deeper and smoother than they were when he was 30. Though he offers twists and turns in his music, he doesn’t divert too far away from his trademark sound. He continues to sing traditional honky-tonk songs with a modern flare. His consistency, dedication and insistency on being himself show why he’s lasted in the country music business so long.
Strait co-wrote three tracks for this CD, which marks the first time he’s recorded a song he wrote for an album since his “Strait from the Heart,” release in 1982. Strait’s wife of 37 years, Norma, gave their 28-year-old son, George Jr., an idea for a song, and it wasn’t long before dad joined in to help, Strait told the radio show “GAC Nights: Live from Nashville.” The father and son co-wrote two more songs, including the powerful and painful “Living for the Night,” for the project with Dean Dillon, who has penned many of Strait’s hits.
Charting new territory on this album, Strait recorded his first ever Spanish song, “El Rey.” For a man claiming not to know much of the language, Strait goes through the song like a classic Latin singer, possessing that Spanish flare with his rich voice and a dramatic tone.
Strait revs it up with the fun “Hot Grease and Zydeco,” which will get you thinking of Friday nights and dancing across a hardwood floor, and “Same Kind of Crazy,” a wild and carefree tune. He sticks to his deep and heartfelt lyrics with the serious and hopeful “Easy as You Go” about a young expecting couple who are the object of scrutiny in their town and “The Breath You Take” about savoring life.
Whether he’s singing a honky-tonk tune or a slow, serious song about the ups and downs of life, on this record, Strait continues to make you feel the music through his vocals, tone and words. He continues to do what he does best and what makes his songs still hit the top of the charts after all these years: twang, true lyrics, and most of all, just plain being himself.
Reviewer: Katelyn Latawiec
TWANG ~ Stephen Thomas Erlewine, All Music Guide
Tempting as it may be, Twang cannot be classified as a thematic counterpart to 2008's Troubadour, an album that followed through on its rugged journeyman title. Once the opening title track twangs out of view, the album quickly veers toward the comfortably weathered balladeering that Strait has made his stock in trade for the better part of three decades now, quick enough to suggest that Twang might be little more than another reliably steady Strait record. To be sure, this is recognizably within his comfort zone -- as always, when you do it as well as he does, there's no need to change -- but beneath that supple exterior there are a few surprises, chief among them the re-emergence of Strait the songwriter. George hasn't penned many songs since the early '80s, when his son George "Bubba" Strait, Jr. was just a baby, but now that he's a grown man Bubba has turned into a songwriter in his own right, coaxing his dad into composing three songs with him, including the terrific tear-in-my-beer single "Living for the Night" and the breezy lament "He's Got That Something Special" (Bubba also pens the excellent Johnny Cash homage "Arkansas Dave" on his own). These are change-ups, not curveballs; Strait saved his twists for the end, when he slides into some "Hot Grease and Zydeco" or goes full-on Mariachi for the closer "El Rey." It's these little twists -- the stylistic stretches and original tunes -- that give Twang some serious character and make it more than just another sturdy Strait record.
George Strait – ‘Twang’ – Album Review
Music Reviews
By Patrick Luce Aug 17, 2009, 16:42 GMT
George Strait’s new studio album ‘Twang’ is another treat for fans of the country music icon, and another example of what makes him one of the genre’s greatest performers.
“Twang’ is the follow-up to his platinum-certified studio album ‘Troubadour’ – which went on to be named “Best Country Album” at the 2009 Grammy Awards.
The album kicks off with the title track (which was co-written by Strait). The song
is the perfect way to start the album, and is an example of the classic country music sound –which is a welcome change to some of the studio polish that is attached to many country singers today.
Strait gets reflective with “Where Have I Been All My Life.” Like “Twang,” the song is a perfect for the singer – who has managed to accomplish so much success with his musical career. His voice on the album is as solid as it has ever been, and every track is a winner for fans.
‘Twang’ is a blend of country ballads (such as “Living for the Night”); honky tonk songs (such as “Hot Grease and Zydeco”); and the classic Strait sound (as heard on “I Gotta Get to You”). The singer doesn’t stray too far from his established formula, but if you are a fan of classic country music this is not a bad thing.
The album might not win the music legend any new fans, but it clearly demonstrates his love for his genre. It is well worth taking the time to give it a listen. I enjoyed ‘Troubadour’ a tad better than ‘Twang’, but the album makes it clear that Strait is still an important cornerstone of country music.
GEORGE STRAIT - TWANG,
(MCA NASHVILLE)
It makes sense that George Strait is wearing his black cowboy hat on the cover of his new CD Twang. With country music currently represented by a girly singer/songwriter, Hannah Montana and the artist-formerly-known-as-Hootie, Strait, black hat and all, is back to bring a little gravity to the situation.
The debut single, “Living For The Night,” is emblematic of his subtle magic. Like a seasoned character actor, Strait fully-embodies a desperate single guy, whose only solace comes from the “neon arms,” of a honkytonk. The tune, co-written by the singer, traffics in pop chord changes, but its sentiments are purely country. Toss in the lowdown title track, a fireball from loose cannon Delbert McClinton (“Same Kind Of Crazy”), and you have the makings of one hell of a party album. Until you get to the incandescent “Where Have I Been All My Life?” Balancing appreciation for existence, with sorrow at how fast it goes, (“My folks sure got old in a hurry”), this weeper will have you reeling in recognition.
Genres be damned. This is another stone-cold classic from King George. Now, if only his courtiers would pay attention. Then the whole darn kingdom of country music would be in much better shape.
George Strait Is King of the Charts
THE KING OF COUNTRY HAS THE TOP SELLING ALBUM IN THE COUNTRY
GEORGE STRAIT’S TWANG DEBUTS AT #1 ON THE BILLBOARD 200 AND TOP COUNTRY ALBUMS CHART
Nashville, TN (August 19, 2009) George Strait’s new release is the top selling album in the U.S. this week proving that music fans everywhere need a little TWANG from the “King of Country.”
TWANG debuted at #1 today on The Billboard 200 and the Top Country Albums chart selling over 155,000 units. This is the fourth time in Strait’s career that a new release has debuted at #1 on the Billboard 200 chart and the 13th time debuting at #1 on the Top Country Albums chart.
The most important development on TWANG can be found in the songwriting credits. Strait’s contributions were a direct result of writing with his son Bubba Strait. “My son’s desire to write really inspired me,” Strait says. “So when I was putting this album together, I knew that I wanted to put some original material on it. That’s something I hadn't done since my second album. I hope the people who buy this record have as much fun listening to it as I had making it.”
Strait co-wrote three songs on TWANG including the debut single, “Living for the Night,” which currently sits at # 7 on Billboard and # 6 on the Mediabase/Country Aircheck chart.
TWANG has already become a critically acclaimed album. It has received rave reviews in USA Today, Entertainment Weekly, People, Los Angeles Times, The Washington Post, Houston Chronicle, The Dallas Morning News, The Boston Globe, Billboard and many more.
George Strait Dethrones Michael Jackson, Tops Billboard 200
By Monica Herrera, N.Y. and Keith Caulfield, L.A.
August 21, 2009
As expected, the King of Pop steps aside for the King of Country as George Strait's 'Twang' replaces Michael Jackson's enduring 'Number Ones' as the best selling album in the country.
Strait's new set sold 155,000 copies according to Nielsen SoundScan, earning the country legend his fifth No. 1 album on the Billboard 200. 'Twang' follows in the footsteps of Strait's 1997 album 'Carrying Your Love With Me,' 2004's '50 Number Ones,' 2005's 'Somewhere Down In Texas' and 2008's 'Troubadour.'
The last time one of Strait's studio albums opened with less than 100,000 was in 1994, when 'Lead On' started with 56,000. It's also his 23rd No. 1 on Billboard's Top Country Albums chart -- extending his lead as the act with the most toppers on the list.
Strait also tops the all-encompassing Top Comprehensive Albums chart, where Jackson had reigned for six non-consecutive weeks. The King of Pop's 'Number Ones' falls to No. 2, shifting 80,000 copies (down 19%).
George Strait
Twang
(MCA Nashville)
US release date: 11 August 2009
UK release date: 11 August 2009
By Dave Heaton
PopMatters Associate Music Editor
AMAZON
LALA George Strait’s new album sports a one-word title that could be read as a statement of definition: Twang. It’s somewhat like his last album title, Troubadour. In both cases, the title song begins the proceedings, setting the tone. “Twang” the song does have twang to it. His singing piles it on, while the song rolls by quickly. But mostly the song is a tribute to “twang”, to real country country music. To beer-drinking music, foot-stomping music, and the sound a guitar makes when it’s crying. “Twang” is one of the twangiest-song on Twang, and one of the most rambunctious. The rest of the album is heavier on ballads, as is Strait’s wont. But overtly twangy or not, the whole of Twang has a classic country feeling. These could be the songs that “Twang”’s fictional barflies are listening to on the jukebox, spending their five dollars of quarters on.
I like the economy of the title Twang; it gets right to the point. The same can be said for most of the album’s songs. The songwriting, like many of the arrangements, is efficient, even minimalist. In a song like “Hot Grease and Zydeco”, a Cajun-flavored stomper clearly meant as a “look what else I can do?” showcase of diversity, that simplicity can be, well, simple. But on the best songs, mostly ballads, that lean approach leads to elegance, to delivering many feelings and stories with a small number of words.
“Easy As You Go” tells a fairly standard teen pregnancy story, with a life-keeps-rolling-on morale, but the ease and matter-of-fact-ness of the song make it feel less trite. “Where Have I Been All My Life” is even better at using comfort and terseness to strongly outline the emotions of the song. It helps that the lyrics are specific enough to make the protagonist’s look back at his life resemble concrete observations, not empty sawhorses. The last verse stands out in that regard:
I heard “What a Wonderful World” by Louis Armstrong
It brought a tear to my eye
After all these years I finally get that song
Where have I been all my life?
The best song on the album may be its first single, “Living for the Night”, an impeccable example of how to make a textbook country-music subject—heartbreak—feel fresh and alive, and to do so quietly, without excessive decoration. A languid pace and Strait’s calmly expressive singing provide both a melancholy air and the night-time setting of the title. The lyrics handily portray a heartbroken man escaping into darkness, and into the comforts of nightlife. “Every night I venture out into those neon arms that hold me tight” is a memorable way to put it. The song has a wealth of day-night/life-death oppositions, meeting a head within one man’s mind. At night, “whiskey kills the man you turned me into / and I come alive”, Straits sings, evoking a monster-movie scene. But the monster is a man of deep sorrow, hurt and loneliness. The neon lights are his transformation, his door to feeling like himself again.
That song was written by Strait himself, his son Bubba, and veteran songwriter Dean Dillon, a fixture in Strait’s career. Bubba Strait was the sole writer of the outlaw tale “Arkansas Dave”, another fine example of the album’s less-is-more approach. A classical cowboy revenge story, it’s told in two verses and two variations on a chorus. This is the sort of song that many a songwriter would be tempted to stretch out into an epic. Its compact scope is complementary.
Dillon was one of three writers behind “The Breath You Take”, possibly the album’s best example of minimalist storytelling. Built around the sentiment “life’s not the breaths you take / but the moments that take your breath away”, it tells two father-son anecdotes, spanning 15 years’ time, and then at the end throws in a third one that completes the story in just seven words. In one fell swoop those words surprise (an attempt to take the listener’s own breath away, perhaps), justify the dramatic tone of the song, and give the chorus more meaning.
“The Breath You Take” is built around a play on words, and so are several of the other songs and lyrics, from “I gotta get to you ‘cause you sure been getting’ to me” to “he’s got that something special / but that something special used to be mine”. That’s a hallmark of country-music songwriting: taking daily life sentiments and ways of speaking and turning them around. In that regard, Twang is a showcase for the songwriting talent that still thrives in Nashville.
For all the ways it is typical of both Nashville and Strait, Twang takes bigger steps towards variety than most of Strait’s other albums. That variety – especially when taken along with the jukebox tribute of “Twang”, the Louis Armstrong reference in “Where Have I Been All My Life”, and the honeytonk tone of “Same Kind of Crazy”—makes Twangseem like a tribute to music itself, to its power. Besides “Hot Grease and Zydeco” and a few numbers touched lightly by jazz, there’s the surprising closing number, “El Rey”. It’s a Mexican folk song by Jose Alfredo Jimenez that Strait, singing in Spanish, performs as such: straight-ahead. It’s an admirable move and a solid if not show-stopping performance that brings the album to an end on a lively note. Jimenez, a legend, is said to have composed 1,000 songs. It sure seems like Strait has recorded, though certainly not written, almost as many. Twang adds 13 more songs to his legacy, without detracting from it in any way. Some of these songs are as good as anything he’s done, which is saying something.
Twang by George Strait
Country Weekly Review
August, 2009
A lot of adjectives have been applied to George Strait albums over the years, but “surprising” isn’t usually one of them. And yet here is Twang, which finds the legendary singer taking several chances with his tried-and-true formula and seeing his bets pay off handsomely.
First we have the fact that George has, for the first time since 1982, contributed to the writing of several songs. The best compliment that can be paid to all three is that they blend in perfectly with the usual gems from superlative outside writers. Another unexpected development is the debut of George’s son, Bubba, as a songwriter: His solo composition “Arkansas Dave” is the head-and-shoulders standout here, a taut narrative in the style of Johnny Cash’s 1960s cowboy parables. Closing out the album is a version of José Alfredo Jiménez’ “El Rey,” sung entirely in Spanish with a spirit of freewheeling derring-do that one rarely hears from such a reserved artist. It’s an apt finish to one of the most diverse and satisfying albums of George Strait’s career.